<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Writing Portfolio &#187; Scripts</title>
	<atom:link href="http://richendagould.com/writing/category/scripts/feed/" rel="self" type="application/rss+xml" />
	<link>http://richendagould.com/writing</link>
	<description>Writing Portfolio for Richenda Gould</description>
	<lastBuildDate>Tue, 26 Apr 2011 04:07:00 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3</generator>
		<item>
		<title>Crisis of Conscience</title>
		<link>http://richendagould.com/writing/2008/10/24/crisis-of-conscience/</link>
		<comments>http://richendagould.com/writing/2008/10/24/crisis-of-conscience/#comments</comments>
		<pubDate>Sat, 25 Oct 2008 05:04:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Scripts]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[politics]]></category>

		<guid isPermaLink="false">http://richendagould.com/writing/?p=70</guid>
		<description><![CDATA[A one-act play set during the mid-80s in South Africa. Jon faces the possibility of being ordered to fire on black neighbors--but defiance means disrupting the life of his young family. Drawn directly from my family's experiences. Any inconsistencies in setting or language are my own. Crisis of Conscience is available in full, formatted for production. Requests can be forwarded to richenda@richendagould.com <a href="http://richendagould.com/writing/2008/10/24/crisis-of-conscience/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><span id="more-70"></span><!--pagetitle:Notes--></p>
<h1>CHARACTERS</h1>
<p><strong>Jon </strong> Dissenter, promoted in the army due to competence. Of British descent. Bitter.</p>
<p><strong>Aaron </strong>The Every Man, of indeterminate origin. He believes some of the party line, but has his doubts.</p>
<p><strong>Pieter </strong>Raised in the Dutch Reform  Church, Afrikaans/English mix, Rina’s brother.</p>
<p><strong>Rina </strong>Jon’s wife, Afrikaans/English mix. Currently on maternity leave.</p>
<p><strong> </strong></p>
<p><strong>Esmée </strong> Rina and Jon’s black maid, often looks after Jaco. She feels at ease with them and loves Jaco like her own baby.</p>
<p><strong>Jaco </strong> Infant son of Jon and Rina.</p>
<p><strong>NOTES</strong></p>
<p><strong> </strong></p>
<p>A small, intimate setting is best; the walls should feel as though they include the audience in the room. Two rooms are visible on stage, the living room and the kitchen. The kitchen, SL, should consist of fridge, stove, counters, etc. A bar and three stools, facing the audience, is DS and prominent. SR, the living room has seating for at least 3 people. The front door enters onto this room. The television sits DS, facing away from the audience. Layout should suggest that the television is visible from the bar.</p>
<p>The television casts flickering blue/white light into the room. This is most visible at low light. Noises left to the discretion of the director, and should be provided for both the news program, and the rugby game. Noises should be softened during speech, and only raised when relevant, ie. a change in program.</p>
<p>The Narrator’s text should appear in written form at some point before the performance, be it in the programs or projected on stage. This text provides important context for the play, and its delivery should allow the audience, who may be unfamiliar with South African history, to internalize the information given.</p>
]]></content:encoded>
			<wfw:commentRss>http://richendagould.com/writing/2008/10/24/crisis-of-conscience/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>For Love of the Queen</title>
		<link>http://richendagould.com/writing/2007/12/17/for-love-of-the-queen/</link>
		<comments>http://richendagould.com/writing/2007/12/17/for-love-of-the-queen/#comments</comments>
		<pubDate>Tue, 18 Dec 2007 05:36:54 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Scripts]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[mythology]]></category>
		<category><![CDATA[romantic relationships]]></category>

		<guid isPermaLink="false">http://richendagould.com/writing/?p=8</guid>
		<description><![CDATA[The union of Titania and Oberon, Shakespeare' infamous fairy royalty, is shaken when Titania takes a human lover... and bears him a child. The complete For Love of the Queen is available as a formatted script for productions. To request permission for use, email richenda@richendagould.com <a href="http://richendagould.com/writing/2007/12/17/for-love-of-the-queen/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><em><span id="more-8"></span><!--pagetitle:Cast &amp; Notes--><br />
</em></p>
<p><strong>CAST</strong></p>
<p><strong>Titania – </strong>Fey queen of the Summer Court. Timeless. Searching for something.</p>
<p><strong>Oberon –</strong> Elfen king, husband of Titania for centuries. Timeless. Overly secure in the status quo.</p>
<p><strong>The Imps –</strong> Fey creatures, perpetually young and mischievous at heart. Prone to pranks, though they owe their freedom to Titania’s whims. At least three, played by children.</p>
<p><strong>Bailiff –</strong> An elf, Oberon’s messenger. Highly capable, follows orders directly.</p>
<p><strong>Ultan Keane –</strong> A mortal, the object of Titania’s affections. In his 20s or 30s, handsome but not stunningly so.</p>
<p><strong>Dermot Wilson –</strong> Mortal, longtime friend of Ultan.</p>
<p><strong>Mab –</strong> Fey queen of the Winter Court. Timeless. Despises the summer months when her court is not in session and she must find ways to amuse herself.</p>
<p><strong>A Note: </strong>Titania and her court wear yellow. Oberon’s people wear green. Mab and the winter court wear blue, and humans wear red. These colors should be prominent without taking over the outfit. (For example, jeans and a red t-shirt, not jeans dyed red.) Everything should have a very earthy, organic feel, from set to lighting to people. Above all, avoid taffeta and glitter! No sparkly wings!</p>
]]></content:encoded>
			<wfw:commentRss>http://richendagould.com/writing/2007/12/17/for-love-of-the-queen/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

