The City of Hushed Voices
|
Content Type: "<insert title here>", Fiction, Shorts Subject Matter: politics, young adult Published: <insert title here> literary magazine |
|
|
The city of hushed voices.
Where the wooshing of cars driving between the great columns of steel and glass buildings is all thatâs heard on the street. Where all you see when you look into buildings, and cars, and eyes, is the reflection of the brighter lights outside. Where people walk by with their heads down; they never meet each otherâs gazes. Theyâre too afraid to.
Itâs where everything seems darker, always. Itâs where a teenage guy stands with his hands in the pockets of his pleather jacket, and watches the glaring, gaudy light flicker on the extra-wide TVs in a display window. Heâs not really watching them.
âLast nightâs attack on the hill lead to massive losses on both sides. Here with me now is Kurt Monroe, RHNâs expert guerilla strategist. Thank you for being here, Kurt.â
âThanks for inviting me, Lucille.â
Someone walks past him and their shoulders collide. âWatch it!â comes the throaty reply, more intended malice in it than actual oomph, and the insurgentsâ shoulders hunch once more as he hurries on his way.
Paul watches him with guarded eyes, and turns away from the smiling anchors on the TV to begin his own walk home.
Home isnât really all that far from here. Itâs a few blocks down, and over; the flashing, zippy, fluorescent advertisements fade away somewhat, and he climbs the creaky metal steps to his front door. Heâs lucky, he knows. A lot of people donât have homes to go to.
*
Inside is just like the outside, lit by the yellow glow of old light bulbs. The TV is on here, too. Brian is glued to it, playing vicious video games, his swaying punctuated by the realistically pathetic screams of actors pretending to be dying soldiers. Paul glances at him briefly, kicks off his shoes, and makes his way to the kitchen.
Their mother is seated at the tiny kitchen table, a single fluorescent light fixture shining down on the room like a heinously cheerful bug zapper. As Paul enters, she doesnât look up. âHi, hon. Enjoy your walk?â
âYeah, Mom,â he says, leaning down and kissing her on her cheek. Itâs still soft. Not soft in the way it was when he was little. The elasticity is fading. Itâs soft in the used way. Pliable. His eyes skip from Deniseâs tangled hair to the masses of shiny papers strewn across the table. Sheâs clipping coupons. Again.
She doesnât have to say anything more; he knows where dinner is. Paul crosses to the refrigerator, its chrome handle a remnant of long outdated fashions, and opens the freezer. Four frozen dinners sit in a neat stack on an otherwise empty shelf. Each a different brand, each a different meal. The rest of the freezer is full of them.
Unthinkingly, Paul reaches for his, and pauses. âWhoâs coming for dinner?â
âMattâs home on leave, remember?â
âOh. Yeah.â Paul tosses his dinner on the stained counter.
âHeâll be home at 7,â his mother continues absently, flipping blindly through the ads.
âSure.â Five minutes and thirty seconds, fifty-percent power. Stir. Two minutes at full. Let sit. Stir.
A groan comes from the living room. âI canât believe I died! Dumb cat!â
âBrian, leave that cat alone! You know she just wants you to play with her!â
âWhy canât we give her to an animal shelter or something?â
âYou begged me for that cat for your tenth birthday!â
Paul walks to the living room, and picks up the indignant tabby, scratching her head. She purrs, body molding to his immediately.
âMake her shut up- I canât hear,â Brian complains, restarting his game.
Without a word, Paul carries the tabby upstairs. Sheâs happier with him. She knows Brian wonât pet her, especially when heâs playing his games. She must have been out to piss him off on purpose. âSmart cat,â Paul thinks, stretching out on his bed and letting her make herself comfortable on his chest.
Sheâs still purring when he wakes up nearly an hour later. Groggily, he looks at the clock and winces. His dinner will be inedible, gone hard and cold in the microwave.
The cat sits up abruptly, and bounds off. There is the sound of the front door opening, and Paulâs stomach drops.
âHey, Mom! Iâm home!â
A heroâs welcome.
âOooooh, Matt!â Their motherâs chair scrapes on the linoleum floor, and then she and he are hugging. Slowly, Paul gets up, and runs a heavy hand through his hair. Itâll have to do.
âOh, Matt, youâve grown, I swear! Let me see you! Oh, Matty… My babyâs home!â
âHey, take it easy, Mom,â Paul canât remember ever hearing that loving note in his older brotherâs tone before. Or that weariness. He trudges downstairs, and stands extraneously at the foot.
âPut those down, put those down! Come on in, Matty. Iâve got your favorite for dinner- pork and potatoes. And ice cream. Let me take your coat. Look at all these pins!â Denise holds the heavy jacket, running her cracked fingers along the rainbow of pins. Her hair is still a mess. Sheâs still wearing her old, worn, sea green bathrobe, the one sheâs had forever. Brian was probably born in that bathrobe. There are dark, puffy bags under her eyes, and her skin is sallow. The yellow light doesnât help. âPaul, come get your brotherâs things.â
The teenager walks forward, hands in his pockets, and meets the eyes of the man who is also his brother. Thereâs a full four-inch height difference between them now. They size one another up, remembering that the last time they saw each other, it was nearly a foot separating them. There are other differences. Mattâs hair is shorter. Much shorter. It makes him look like a different person. Heâs still in uniform, still has his hat on. Paul hates this man, and the creature heâs turned Matthew into.
Mutely, Paul takes Mattâs duffle from the floor. They exchange a wordless greeting, and Paul disappears down the hallway to put Mattâs bag in his old room.
âHow was the flight, Matty?â
Chuckle. âLeft a lot to be desired, but, hey, thatâs flying for you.â
Tinkling, girlish laughter. âThat it is, that it is. Brian, come say hello to your brother.â
Grunt. She lets the kid get away with it.
âChristine called to ask when youâd be home, you know.â Her voice fades; theyâve gone into the kitchen.
âAw, no, Mom⊠Whatâd you tell her?â
âI told her you wouldnât be home âtil Thursday. After that, youâve got to sort it out yourself. Sheâs such a nice girl, Matt. She obviously likes you.â
âMom,â Mattâs uncomfortable with the topic.
Paul lugs the duffel onto Mattâs bed in the dark. Fumbling a bit, he turns on the lamp beside the bed. His brotherâs room looks like something out of a 1950s recreation catalogue. Plaid. Baseball clippings. Wooden furniture. Model airplanes hanging from the ceiling.
âBrian! Brian, put that thing down! Say hello to Matt!â
âJust a minute, Mom!â
Paul glances at the drawer where Matt always kept his stash. Drugs. Porn. Condoms. Bad attempts at sketching. If Matt was a girl, heâd keep his diary there.
âBrian!â
âJust a minute!!â
Paul turns away from the too-perfect, empty scene and plods downstairs.
âItâs OK, Mom.â Thereâs an attempt at laughter in the voice, even if it falls short. âI bet I know where he is.â
Somehow, Paul knows. Perhaps heâs been watching people too long. He just knows. Time seems to slow down as he puts one unsteady foot in front of the other.
Matt stares at the TV with its mock battles, his every muscle tense. Blindly, he pushes past Paul and goes to bed.
Their mother is still chattering happily in the kitchen. âHeâs always glued to that thing these days,â a loving chuckle. She hates those games. âSo, Matt- Matt?â She comes to the door and looks at Paul.
Paul shrugs helplessly.
*
The next morning, the world is another place. Paul gets up early to take another walk, and to think. The sun is shining. It makes everything seem slightly brighter, even though the light never really reaches the cement.
People flow around him like mercury. Heads down, shoulders hunched, and eyes averted. Something in him wants to meet their eyes; seek them out. He wants to defy convention and find another aching human soul in this built-up monstrosity. Someone else like himself. The neighborhood changes, and there are more veterans on the sidewalk. The lucky ones are still asleep. Any one of them could have been, could become, Matt. Gone mad, or just useless.
Ahead is the newsstand where Mom- Denise- would always stop, a boy in each hand and another staring into the distance boredly, and skim the racks for new magazines. Venus and Rapture and the like. Stupid things full of clothes she would never be able to afford or wear, gossiping about people she would never meet, and stuffed with samples she would never use. He asked her why she bought them, once.
âI like to look at the pictures,â she had told him, as she grappled with Brian, trying to get him to eat his peas. Paul must have been about seven.
Ten years gone by. And the stand is still here. It doesnât do much to comfort him, not here, where nothing changes.
A man stands on either side of the counter, one selling, one buying. Both talking. Both hushed, careful to keep their voices low. At once, Paul knows itâs not a conversation they want overheard, and that it is imperative he hear it.
ââŠthe hill was a bungle.â
âCourse it was. But whose?â
âMilitaryâs, of course.â
âDonât shit me. The military knows what itâs doing. Gov mustâa put pressure on them. Said, âBoys, this warâs takinâ too long. Wrap it up.ââ
The man behind the counter rolls his eyes. âArmy guys donât know shit.â
âThey donât take dumb risks, Joe. They donât wanna die. The govâll cut their funds.â
âLike they couldnât afford it. Defense budgetâs inflated past next week.â
âIt always is.â
âWe spend more on defense than anything else.â
âYou want them flaggies ta take over?â
âYou know they wonât.â
âThey could.â
âAnd my eldest could come home tomorrow and say the warâs over.â
âDonât joke about that.â
Their eyes follow Paul as he walks by, resolutely facing forward. They wait until he has passed too far to hear them before they continue. Always hushed.
Paul fights down the tiniest flicker of something in his chest. The cityâs full of it. Full of all these hushed, wary voices.
When he gets home, Mattâs sitting on the stoop, smoking a cigarette. One of those new, specially flavored, non-damaging ones they brought out specially for the army. Thereâs a whole box of them sitting on Mattâs dresser now.
Paul stops a step below him, hands weighing down the sides of his brown jacket. Matt looks up at him. âWhat?â
âI thought you didnât smoke.â
âDidnât. Donât.â Self-consciously, Matt tosses it away. âWhereâd you go so early?â
âTown. A walk.â Paul leans against the stair rail.
Mattâs fingers fidget without anything to do, and he scratches the back of his bare neck. Heâs only in old jeans and a white t-shirt, despite the morning chill. He looks up at Paul again. âYou do that a lot these days?â
âYeah. Sort of.â
âSâgood exercise.â
âYeah.â
A neighbor starts her car, and drives away. It doesnât leave any visible smog, but the noxious fumes sting Paulâs nose and eyes. They always try to improve things without going so far as to make them environmentally sound.
Matt stares after her, and his fingers meet at the tips beneath his chin. âThink I can come next time?â
Paul shifts his weight, ready to go back in. âYeah.â
As he closes the door, Matt lights another cigarette.
Itâs all the same anyway.
*
âChristine called again,â Denise bustles around the kitchen, a spatula in one hand and a plate of browned sausages in the other. The microwave pings, as hard-boiled eggs wait to be served. In the time that Matt has been home, she has returned to life. She glows again. She combs her hair. She puts on makeup. Her voice always has that special trill.
Brian doesnât care. He just wants to be left alone in front of the TV with his game console. He doesnât want his mom to give him big kisses on his cheek while heâs eating, or to remind him to clean up his room. He liked when she didnât care.
âAgain?â Matt glances up from the newspaper. He shaved this morning. He smells like aftershave; something akin to their fatherâs favorite brand. Perhaps a descendant product. His hair is growing out, and heâs slowly relaxing. Heâs like Dad in a lot of ways now. Denise treats him like an adult, and he acts like one. âWhen? What did you tell her?â
âOh, you know,â Deniseâs tone is too gay: strained. âA little of this, a little of that. Us girls catching up on old times.â
Paul glances up from his food. Were they, too, talking in hushed voices? Hell, even Brianâs friends talked in hushed voices. Then Brian would shift uncomfortably and change the subject; especially when he saw that Paul was watching them.
âDid she leave a number?â
âOn the notepad.â
âThanks.â
The family eats in silence. The oldest brother has replaced the father, in a warped sort of way. The mother has put on a cheery façade, forcing herself not to remember that in a few weeks, her son will be gone again. She doesnât want to acknowledge that Paul, too, in a few months, will be the subject of the gruesome photographs on the front page of every newspaper in the country.
Shiny photographs of men in uniform, carrying weapons said to be accurate a mile away, even in the smog of grenade smoke. Even if the soldier canât shoot straight. Thatâs progress for you: better ways to kill.
âAnyone want more hash browns?â
Breakfast finishes, and they disperse. Denise does the laundry. Brian returns to his video games. Matt closes the kitchen door, and calls Christine. Paul sits with the cat on the stairs, letting her nuzzle his hand.
Itâs almost like a normal Saturday for a while. Then the kitchen door opens, and the cat slinks away. Paul goes to the living room, certain something is wrong.
It is.
Mattâs blood runs cold. Another virgin actor is torn apart by a badly rendered three-dimensional missile. âBloodâ sprays across the battlefield, and Brianâs army continues on, ravaging the make-believe landscape.
âYEAH!â Brian crows triumphantly, as he takes careful aim and sets off the final animation. He eagerly watches the nuke careen between chicken wire and broken bodies, zeroing in on the terrified face of his opponent.
The enemyâs scream is long, and loud.
And then the screen is black. Matt stands up from behind the TV, hand shaking faintly as he throws the cord away, like a dead snake. Disgust is written in every line of his face.
âNO! You loser! How could you do that!? It took me three months to get this far!â
âYou donât have any idea, do you!?” A deep voice bellows up from the depths of Mattâs chest, and all five of them are shocked. The cat escapes the brawl. Paul takes Deniseâs trembling hand, putting his arm around her; being strong for her, as they watch that which has possessed her firstborn son and his oldest brother rage against the family baby. âYou havenât a clue! Itâs all just a game to you, is it? Those are people dying!â
Brian whimpers, staring up at Matt with wide eyes. They shine brightly, wet. Thereâs the faint smell of urine. Mattâs eyes are blazing with a fire none of them have ever seen before. He is another person.
His diatribe lasts until Brian has broken down in shame and tears. Still, he would continue on, but Denise is crying as well, and Paulâs eyes are moist. The elder brothersâ eyes meet, Paulâs pleading, and Matt recoils, seeing himself reflected there.
He flexes his hands, unsure what to do. Without realizing it, they fall back into a ready combat position. Gruffly, he walks over Brian and to the front door. âIâm going to have a smoke.â
*
Itâs almost noon. The tabby lies in Paulâs window, sunning herself luxuriously as he strokes her mottled fur. Below them, and a little to the right, Matt sits on the stoop and smokes another of those smokeless cigarettes. It really makes the old name redundant. Things arenât what they used to be. The fumes that drift their invisible way up are making Paul dizzy, but he doesnât want to leave Matt alone. He doesnât want Matt to get hurt. Heâs also a little afraid of him.
A car pulls up, and stops in front of their house. Itâs not old, or new, or expensive, or cheap: just somewhere in the middle. Mattâs eyes watch it pull up, and Paul follows his gaze to the driver.
She steps out carefully, and closes the door, key in hand. Her purse is still on the front seat. She leans against the car, and she and Matt stare at each other for a long, long time. Finally, he throws his fag away, a little ashamed of himself.
âIt isnât easy, is it?â
Matt laughs bitterly. âWhat the hell kind of dumb question is that?â
Christineâs eyes are sympathetic, and pitying. âWhat are you going to do with them?â
When he speaks, Mattâs voice is hushed. Paul almost misses it. âCanât tell what you donât know, Christine.â
She sighs, and stands. Reluctantly, she opens the car door and removes an embossed hardcover. âSign my yearbook? For old times?â she offers it to him with a pen.
Matt signs the book, and hands it back to her. They say their good-byes, and this time their voices are too quiet for Paul to hear. She drives away, and Matt comes back inside.
The tabby jumps from the sill and leaves the room. She follows Matt into his room. Paul is slower. He leans in Mattâs doorway, watching the cat rub against his brotherâs back.
Matt turns on the bed and looks up at Paul. He almost smiles. He has dark patches under his eyes like Deniseâs. âHey, you,â he says. âCâmere.â
Paul does, and he sits on the other side of the bed. The room looks more like Mattâs room again; the cover isnât smoother than smooth, and thereâs miscellaneous junk on the bedside table, and clothes thrown onto the chair by the window.
Mattâs dog tags hang from a drawer knob.
Methodically, Matt opens a small white envelope, and removes the contents. Paul frowns, watching him. They say things like âPassportâ and âFlight 882.â He doesnât get it. Or, he does, but he doesnât want to. Or he canât. He shakes his head, denying it. âMatt-â
âShut up,â Matt says grimly, and Paul does. He sorts through the papers, naming them all. Fake ID and plane tickets. To Canada.
âMattâŠâ Paul starts quietly, head whirling. âMatt, youâll get caught⊠They have border patrols and shit⊠they have your name⊠they have your thumbprintâŠâ
âItâs not for me, dumbass.â The papers are pressed into Paulâs palm. His fingers close over them instinctively. Willingly.
A moment of silent communication between the brothers. Paul gives a minute nod, and stands. The cat mewls in protest.
Matt nods back, and gives a mocking, self-loathing salute.
Paul gives a giddy grin and returns it; Thumb and index finger touching, the other three splayed outward. The salute of the anti-war activists. Matt grins back, and adopts the fingering.
*
Fall, and Paul is at the border. His heart is pounding. His hands are thrust into the depths of his pockets. Itâs a helluva lot colder this far north. He wishes heâd brought gloves. Thereâs a long line of people waiting to get to the desk. Every one of them clutches their papers like their dying hopes. Which, of course, they are.
It is Paulâs turn. He hands the man his passport, and awkwardly shifts the weight of his bag over his shoulders. The man is checking his papers. Theyâre all in order. Paul triple-checked them a thousand times.
He watches the stamp fall with a thunking thock onto each page. Once, twice, three times. He watches the clerk sign his name to the documents, lending them validity. Paul is so, so close.
As the man hands back the papers, he meets Paulâs eyes; holds onto the passport and the stubs for a second too long. Paulâs gut falls into his shoes. Itâs over.
âEnjoy your stay, Mr. Barnabas.â A quick nod, and the eye contact is broken, the man returned to his repetitive tasks.
âThank you.â Itâs so smooth. Itâs so subtle. Itâs so surreal.
Paul is walking through the gate, putting the papers back in his backpack, his suitcase floating neatly behind him. He walks through the terminal doors, and sunlight- real, white, warm sunlight- nearly blinds him.
Matt is back on the front. Fighting daily for his survival. Brian and Denise and the cat live in the bubble of frustration that is teenage sons coming of age and their mothers. But Paul⊠Paul is free.
With a giddy grin, he walks on, and leaves the city of hushed voices behind. With a smile, he walks into his fatherâs arm, and smells the glory of sweet and musky aftershave.
